Whose body is it anyway?
Islamic aesthetic principles find the body an alien impostor to spiritual aspiration. God has no incarnation, cannot be defined in bodily terms, nor has location, size, shape or gender. The Divine is found in the abstract and undepictable territories of the inner heart, and is manifested in the geometric perfections and multiplicities of both art and nature.
From a Christian European perspective, the body is uncomfortably absent from public Muslim life. Calligraphy and geometric art are used to transcend into the domain of the spiritual - human beings are not usually depicted. Even people seem to lack bodies in the public arena, with women tucked neatly under headscarves and men in looser shirts and full length trousers. Muslim heritage rejects the body being a public billboard. Instead, it is to be celebrated and shared only in private, retained for personal and family interactions and for the pleasures of intimacy. This is one of the fundamental reasons Muslim women wear the hijab: to be valued for who you are, not what you look like. Muslims, in this sense, are simply exercising their very modern right to privacy.
Today's secular gods of consumerism and self indulgent gluttony, of beauty, youth and immortality, have their roots in the same Greco-Roman heritage that Christian art draws upon. Secular art, which is offered up to its own gods show us sculpted bodies that meet our contemporary ideals of bodily perfection. It idolises the oxymoron of super-slim yet ultra-curvy women, the sparkling white of pristine teeth that have gorged on chocolate - a modern day food for the gods - or the tough muscular six-pack man in the age of longer working hours and high alcohol consumption. Image is the ultimate altar to worship at. One men's clothing chain ran an advertising campaign last year using simply the words: "Looks aren't important. They are everything." Body is the ultimate god, and fashion designers are its disciples.
The body is thus the fulcrum for public debate, expression and attitudes. What happens when the body is not available as the yardstick? Is the response to see women who wear the hijab as 'withholding' themselves from the public space, and to consider that inflammatory? The privacy of the body for Muslims means it is entirely natural for Muslim women not to shake hands with a man, but the role of body in social interaction through a European lens means it is highly unnatural not to. There is no quick fix to resolving these different perspectives, because they stem from deeply ingrained attitudes and perspectives. Intensive communication and understanding hold the only keys.
We are told that the body is public, but faith should be private. But if faith is about aligning your entire being towards a better way of being, then the body is de facto part of that. In the religious domain we focus on the body of Christ, in the secular it is the flesh of supermodels. In both cases, the body is a public canvas, a forum for discussion. The personal is public, and the public is political except, ironically, when it comes to using our own bodies to express faith. Faith, as an exception to everything else, is a private matter, we are told, separated from public life and to be left at home. It seems we are at cross purposes. Modernity protects our right to privacy, but this privacy does not seem to extend to the body.
This article was published in The Muslim News
Labels: arts, Muslim News, Muslim Veil, Muslim women, Niqab